Flirty and fun, your Scorecard is just the beginning. Chat up our Hosts for tips or simply to ask, which direction the bar is in! After being shown to your table, the ladies will remain seated for the duration of the event. The gents move from lovely lady to lovely lady every six to seven minutes. Simply jot down your potential 'Date-Mates' at the bottom of your Scorecard and we'll take care of the rest.
For those who garner matches, you will be notified via e-mail within 24 hours of the event ending of your 'Date-Mate' results. Alas, the event is over but the night has just begun. Rogers was a major movie star during the Golden Age of Hollywood , and is often considered an American icon. She ranks number 14 on the AFI's Years In , Rogers moved in with her grandparents while her mother made a trip to Hollywood in an effort to get an essay she had written made into a film.
One of Rogers' young cousins, Helen, had a hard time pronouncing "Virginia", shortening it to "Badinda"; the nickname soon became "Ginga". When Rogers was nine years old, her mother remarried, to John Logan Rogers. Ginger took the surname Rogers, although she was never legally adopted. They lived in Fort Worth. Her mother became a theater critic for a local newspaper, the Fort Worth Record.
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As a teenager, Rogers thought of becoming a school teacher, but with her mother's interest in Hollywood and the theater, her early exposure to the theater increased. Waiting for her mother in the wings of the Majestic Theatre, she began to sing and dance along with the performers on stage. Rogers' entertainment career was born one night when the traveling vaudeville act of Eddie Foy came to Fort Worth and needed a quick stand-in. She then entered and won a Charleston dance contest which allowed her to tour for six months, at one point in performing at an month-old theater called The Craterian in Medford, Oregon.
This theater honored her many years later by changing its name to the Craterian Ginger Rogers Theater. They formed a short-lived vaudeville double act known as "Ginger and Pepper".
The marriage was over within months, and she went back to touring with her mother. When the tour got to New York City, she stayed, getting radio singing jobs and then her Broadway debut in the musical Top Speed , which opened on Christmas Day, Fred Astaire was hired to help the dancers with their choreography. Her appearance in Girl Crazy made her an overnight star at the age of In , she was signed by Paramount Pictures to a seven-year contract.
Rogers soon got herself out of the Paramount contract—under which she had made five feature films at Astoria Studios in Astoria, Queens —and moved with her mother to Hollywood. Rogers also made feature films for Warner Bros.lesttinglogreva.tk
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She then made a significant breakthrough as Anytime Annie in the Warner Bros. She went on to make a series of films at Warner Bros. Rogers was known for her partnership with Fred Astaire. Together, from to , they made nine musical films at RKO: They revolutionized the Hollywood musical by introducing dance routines of unprecedented elegance and virtuosity with sweeping long shots set to songs specially composed for them by the greatest popular song composers of the day.
Arlene Croce , Hermes Pan , Hannah Hyam, and John Mueller all consider Rogers to have been Astaire's finest dance partner, principally because of her ability to combine dancing skills, natural beauty, and exceptional abilities as a dramatic actress and comedian, thus truly complementing Astaire, a peerless dancer.
The resulting song and dance partnership enjoyed a unique credibility in the eyes of audiences. Although the dance routines were choreographed by Astaire and his collaborator Hermes Pan , both have testified to her consummate professionalism, even during periods of intense strain, as she tried to juggle her many other contractual film commitments with the punishing rehearsal schedules of Astaire, who made at most two films in any one year.
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In , shortly before his death, Astaire remarked, "All the girls I ever danced with thought they couldn't do it, but of course they could. So they always cried.
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No, no, Ginger never cried". John Mueller summed up Rogers' abilities as: Author Dick Richards, in his book Ginger: She made everything work for her. Actually she made things very fine for both of us and she deserves most of the credit for our success.
In a episode of the popular British talk-show "Parkinson" Season 5-Episode 24 , host Sir Michael Parkinson asked Astaire who his favorite dancing partner was. She was the one. You know, the most effective partner I ever had. She was also paid less than many of the supporting "farceurs" billed beneath her, in spite of her much more central role in the films' great financial successes. This was personally grating to her and had effects upon her relationships at RKO, especially with director Mark Sandrich , whose purported disrespect of Rogers prompted a sharp letter of reprimand from producer Pandro Berman , which she deemed important enough to publish in her autobiography.
Rogers fought hard for her contract and salary rights and for better films and scripts. After 15 months apart and with RKO facing bankruptcy, the studio paired Fred and Ginger for another movie titled Carefree , but it lost money. Next came The Story of Vernon and Irene Castle, based on a true story, but the serious plot and tragic ending resulted in the worst box-office receipts of any of their films.
This was driven not by diminished popularity, but by the hard s economic reality.
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The production costs of musicals, always significantly more costly than regular features, continued to increase at a much faster rate than admissions. Both before and immediately after her dancing and acting partnership with Fred Astaire ended, Rogers starred in a number of successful nonmusical films.
Stage Door demonstrated her dramatic capacity, as the loquacious yet vulnerable girl next door, a tough-minded, theatrical hopeful, opposite Katharine Hepburn. Successful comedies included Vivacious Lady with James Stewart , Fifth Avenue Girl , where she played an out-of-work girl sucked into the lives of a wealthy family, and Bachelor Mother , with David Niven , in which she played a shop girl who is falsely thought to have abandoned her baby. Sylvia, Hollywood's fitness guru and radio personality, had claimed that Rogers was on Sylvia's radio show when, in fact, she was not.
She enjoyed considerable success during the early s, and was RKO's hottest property during this period. In Roxie Hart , based on the same play which later served as the template for the musical Chicago , Rogers played a wisecracking flapper in a love triangle on trial for the murder of her lover; set in the era of prohibition, most of the film takes place in a women's jail.
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